Cosentinoworks presents the Hands Series by Daniel Cosentino, a New Jersey-based multimedia artist, conceptual artist, visual artist, educator, and writer. This ongoing body of work brings together alternative photographic processes, intaglio printmaking, and precious metal leaf to create haunting visual meditations on presence, memory, and the silent language of the human body. Each print begins with large format negatives and is realized through darkroom-developed palladium and platinum printing, combined with manual etching and hand-applied gold, silver, or copper leaf. These tactile and luminous surfaces invite reflection on the gesture of the hand as both a physical imprint and a symbol of intimacy, labor, and disappearance. The series is deeply rooted in Cosentino’s interest in latent communication and the unseen structures that shape perception. The repetitive use of the hand as a motif becomes a quiet invocation of spiritual, mythic, and psychological resonance. The works are not studies of anatomy, but of affect—distillations of emotion held in gesture. The material processes echo the themes: intaglio suggests incision and permanence, while the metal leaf glows with impermanence and ritual. These prints are at once minimal and ceremonial, forged at the intersection of photography, printmaking, and sculptural surface. This gallery connects to Cosentino’s larger conceptual and material practice, which spans installation art, performance, land art, and video. As an educator and frequent lecturer, Cosentino extends this inquiry through his editorial projects, Latent Views and Equine Magistrate. Cosentinoworks invites viewers into this subtle, process-based series that transforms the familiar into the sublime through touch, craft, and repetition.